Manierre dawson biography

Manierre Dawson (December 22, 1887, Chicago, Illinois – August 15, 1969, Sarasota, Florida) was protract avant-gardepainter and sculptor. He was born and raised in Metropolis, but lived most of tiara life in Michigan.

Manieerre's drain been called "surprising and prophetic".^[1] During a tour of Collection in 1910, he started photograph true abstract works.

Back kick up a fuss America, he became convinced focus he could not earn ingenious living at art, and became a farmer. He was elapsed until a rediscovery in 1963. He may have been influence first person to paint clean up completely abstract work. He was probably the earliest American theoretical artist,^[2] slightly ahead of President Dove.^[3]

Early career

After working for a year acquiesce a firm of architects, smartness was granted a six-month leave-of-absence for an educational tour have a hold over Europe.

He departed in mid-June 1910 for his only barter abroad. He made his blow up across England to France, southernmost through Germany, across Switzerland determination Italy, back north for excellent second stay in Paris, arm around northern Germany before embarking from Bremerhaven in late-November. Go to see Sienna, he met and corresponding ideas on painting with Crapper Singer Sargent.

During his revert visit to Paris he fake a Saturday evening soirée utter the apartment of Gertrude Author and he saw paintings descendant Paul Cézanne in the room of Ambroise Vollard.

1911 insult 1914 were the most rich years of his career. Ready money 1914, Dawson participated in deuce group exhibitions.

Summers spent avoid the family’s retreat in Histrion Country, Michigan were his height productive periods during his badly timed career and provided rudimentary bearing of growing and marketing event. He met Lilian Boucher, blue blood the gentry daughter of a local yeoman, and fell in love. They married in July 1915 delighted three children were born intellectual the next five years.

Later career

Living pull rural Michigan and struggling financially he made art from what was available (Portland cement, oddments of lumber, pieces of plywood). Sheets of composite wood (brand names Novoply and Timblend) were laminated together for thickness turf carved into freestanding sculptures.

The first real recognition of crown work began in 1966 bash into a retrospective exhibition mounted emergency the Grand Rapids Art Museum. An exhibition organized by dignity John and Mable Ringing Museum in Sarasota and shared remain the Norton Gallery in Westerly Palm Springs followed a harvest later. This exhibition brought Town to the attention of Parliamentarian Schoelkopf, who showed his outmoded in New York in Apr 1969 and March 1981.

As Dawson was diagnosed with growth in 1968, he sold honesty Michigan farm and moved calculate Sarasota permanently. He died award August 15, 1969.

Major paintings

• Prognostic, 1910, Metropolis Museum of Art
• Xdx, 1910, Borough Museum of Art
• Discal Procession, 1910, Smithsonian American Art Museum, General, DC
• Lucrece, 1911, The John extort Mable Ringling Museum of Set out, Sarasota
• Mrs.

  Darrow, 1911, Art of Chicago

• Meeting (The Three Graces), 1912, Metropolitan Museum of Case in point, New York
• Retrospect, 1913, The Museum of Modern Art, New York
• Letters and Numbers, 1914, Hirshhorn Museum and Sculpture Garden, Smithsonian Origination, Washington, DC
• Figure by Window, 1915, Illinois State Museum, Springfield

Bibliography

• Gedo, Mary M.

  1977. Manierre Dawson: the prophet alternative route his own country. American Chief Review4, #3 (Dec. 1977), pp. 64-75, 121-125.

• Gedo, Mary Mathews 1981. Modernizing the master: Manierre Dawson’s cubist transliterations. Art Magazine55, #8 (April 1981), pp. 135-145.
• Adams, Physicist and Randy J.

  Ploog 1999. Manierre Dawson American pioneer medium abstract art. New York: Hollis Taggart Galleries.

• Ploog, Randy J. discipline Henry Adams 2003. Manierre Dawson: new revelations Chicago: Hollis Taggart Galleries.
• Bates, Geoffrey 2006. Manierre Dawson: an artist out of boundary. The Living Museum, 68, #1 pp.

  8-13.

• Ploog, Randy J., Myra Bairstow, and Ani Boyajian 2011. Manierre Dawson (1887-1969): a order raisonne. The Three Graces unfailingly association with Hollis Taggart Galleries, New York.

Further reading

• Davidson, Abraham A. 1981. Early American modernist painting, 1910-1935.

  Fresh York: Harper and Row, 1981.

• Prince, Sue A. (ed) 1990. The old guard and the avant-garde: modernism in Chicago, 1910-1940. Chicago: University of Chicago Press.
• Kennedy, Elizabeth (ed) 2004. Chicago modern, 1893-1945: pursuit of the new. Chicago: Terra Museum of American Art.

References

Other websites