Bernhard schlink der vorleser

The Reader

1995 Bernhard Schlink novel; underpinning for 2008 film

For the peel based on the book, notice The Reader (2008 film). Sustenance other uses, see The Grammar -book (disambiguation).

The Reader (German: Der Vorleser) is a novel by European law professor and judge Bernhard Schlink, published in 1995.

Interpretation story is a parable venture with the difficulties post-war Germanic generations have had comprehending character Holocaust; Ruth Franklin writes drift it was aimed specifically go bad the generation Bertolt Brecht alarmed the Nachgeborenen (those who came after). Like other novels hem in the genre of Vergangenheitsbewältigung (the struggle to come to position with the past), The Reader explores how the post-war generations should approach the generation think it over took part in, or bystandered, the atrocities.

These are primacy questions at the heart detailed Holocaust literature in the cool down 20th and early 21st 100, as the victims and witnesses died and living memory was fading.[1]

Schlink's book was well conventional in his native country charge elsewhere, winning several awards; Der Spiegel wrote that it was one of the greatest triumphs of German literature since Günter Grass's The Tin Drum (1959).

It sold 500,000 copies hub Germany and was listed Ordinal of the 100 favorite books of German readers in topping television poll in 2007.[2] Flux won the German Hans Fallada Prize in 1998, and became the first German book stop top The New York Times bestselling books list. It has been translated into 45 dissimilar languages, and has been make-believe in the curricula of college-level courses in Holocaust literature contemporary German language and German belles-lettres.

The Reader was adapted bid David Hare into the 2008 film of the same nickname directed by Stephen Daldry; greatness film was nominated for quintuplet Academy Awards, with Kate Winslet winning for her portrayal be useful to Hanna Schmitz.

Synopsis

Characters

  • Michael Berg, spick German man who is primary portrayed as a 15-year-old lad and is revisited at adjacent parts of his life; markedly, when he is a examiner in legal history, divorced give up one daughter, Julia.

    Like multitudinous of his generation, he struggles to come to terms be equivalent his country's recent history.

  • Hanna Schmitz, a former guard at Stockade. She is 36, illiterate queue working as a tram governor in Neustadt when she extreme meets 15-year-old Michael. She takes a dominant position in their relationship.
  • Sophie, a friend of Michael's when he is in institution, and on whom he in all probability has a crush.

    She task almost the first person whom he tells about Hanna. Just as he begins his friendship surpass her, he begins to "betray" Hanna by denying her bond with him and by unkind short his time with Hanna to be with Sophie viewpoint his other friends.

  • Michael's father, uncut philosophy professor who specializes hassle Kant and Hegel.

    During primacy Nazi era he lost cap job for giving a dissertation on Spinoza and had sure of yourself support himself and his next of kin by writing hiking guidebooks. Appease is very formal and misss his children to make appliances to see him. He assignment emotionally stiff and does shout easily express his emotions preserve Michael or his three siblings, which exacerbates the difficulties Hanna creates for Michael.

    By nobility time Michael is narrating primacy story, his father is dead.

  • Michael's mother, seen briefly. Michael has fond memories of her immoderation him as a child, which his relationship with Hanna reawakens. A psychoanalyst tells him elegance should consider his mother's consequence on him more, since she barely figures in his record of his life.
  • Jewish woman, who wrote about surviving the carnage march from Auschwitz.

    She lives in New York City considering that Michael visits her near decency end of the story, much suffering from the loss grapple her own family.

Part 1

The star is told in three attributes by the main character, Archangel Berg. Each part takes stick in a different time generation in the past. Part Beside oneself begins in a West Teutonic city in 1958.

After 15-year-old Michael becomes ill on sovereign way home, 36-year-old tram controller Hanna Schmitz notices him, cleans him up, and sees him safely home. He spends distinction next three months absent exotic school battling scarlet fever. Sharptasting visits Hanna to thank relation for her help and realizes he is attracted to quash. Embarrassed after she catches him watching her getting dressed, appease runs away, but he profits days later.

After she asks him to retrieve coal depart from her cellar, he is below the surface in coal dust; she watches him bathe and seduces him. He returns eagerly to deny apartment on a regular incentive, and they begin a depressing affair. They develop a manipulate of bathing and having coitus, before which she frequently has him read aloud to affiliate, especially classical literature, such by the same token The Odyssey and Chekhov's The Lady with the Dog.

Both remain somewhat distant from hip bath other emotionally, despite their corporal closeness. Hanna is at period physically and verbally abusive used to Michael. Months into the satisfaction, she suddenly leaves without organized trace. The distance between them had been growing as Archangel had been spending more securely with his school friends; dirt feels guilty and believes business was something he did think it over caused her departure.

The retention of her taints all queen other relationships with women.

Part 2

Six years later, while gate law school, Michael is do too quickly of a group of lecture observing a war crimes trial run. A group of middle-aged brigade who had served as Inconsiderate guards at a satellite suggest Auschwitz in occupied Poland verify being tried for allowing Ccc Jewish women under their superficial "protection" to die in unmixed fire locked in a sanctuary that had been bombed nigh the evacuation of the campingsite.

The incident was chronicled unimportant a book written by reschedule of the few survivors, who emigrated to the United States after the war; she levelheaded the main prosecution witness rot the trial.

Michael is bowled over to see that Hanna assay one of the defendants, carriage him on a roller coaster of complex emotions.

He feels guilty for having loved spruce up remorseless criminal and at high-mindedness same time is mystified habit Hanna's willingness to accept congested responsibility for supervising the all over the place guards despite evidence proving under other circumstances. She is accused of vocabulary the account of the flame.

At first she denies that, then in a panic admits it in order not total have to provide a sampler of her handwriting.

Michael, horrorstricken, realizes then that Hanna has a secret that she refuses to reveal at any cost—that she is illiterate. This explains many of Hanna's actions: take five refusal of the promotion desert would have removed her strip the responsibility of supervising these women and also the distress she carried her entire entity of being discovered.

During distinction trial, it transpires that she took in the weak, indisposed women and had them peruse to her before they were sent to the gas abode. Michael is uncertain if she wanted to make their blare days bearable or if she sent them to their kill so they would not expose her secret.

She is guilty and sentenced to life give it some thought prison while the other cohort receive only minor sentences.

Associate much deliberation, he chooses clump to reveal her secret endorse fear of making her besieged worse, as their relationship was a forbidden one because explicit was a minor at class time.

Part 3

Years have passed, Michael is divorced and has a daughter. He is demanding to come to terms release his feelings for Hanna bear begins taping readings of books and sending them to her walking papers without any correspondence while she is in prison.

Hanna begins to teach herself to matter, and then write in straight childlike way, by borrowing righteousness books from the prison accumulation and following the tapes govern in the text. She writes to Michael, but he cannot bring himself to reply. Care 18 years, Hanna is be evidence for to be released, so significant agrees (after hesitation) to stroke of luck her a place to tarry and employment, visiting her sky prison.

On the day bad deal her release in 1983, she commits suicide, and Michael survey heartbroken. Michael learns from class warden that she had back number reading books by many discernible Holocaust survivors, such as Elie Wiesel, Primo Levi, Tadeusz Borowski, and histories of the camps. The warden, in her choler towards Michael for communicating become accustomed Hanna only by audio tapes, expresses Hanna's disappointment.

Hanna unattended to him an assignment: give compartment her money to the unfortunate of the church fire.

While in the U.S., Michael trip to New York to send back the Jewish woman who was a witness at the evaluation, and who wrote the volume about the winter death walk from Auschwitz. She can misgiving his terrible conflict of interior and he finally tells sustenance his youthful relationship with Hanna.

The unspoken damage she residue to the people around unqualified hangs in the air. Why not? describes his short, cold wedding, and his distant relationship be different his daughter. The woman understands, but nonetheless refuses to thorough the savings Hanna had gratuitously Michael to convey to relation, saying, "Using it for prong to do with the Slaughter would really seem like disentangle absolution to me, and consider it is something I neither require nor care to grant." She asks that he donate benefit as he sees fit; soil chooses a Jewish charity guarantor combating illiteracy, in Hanna's title.

Having had a caddy taken from her when she was a child in the encampment, the woman does take significance old tea caddy in which Hanna had kept her resources and mementos. Returning to Deutschland, and with a letter intelligent thanks for the donation unchanging in Hanna's name, Michael visits Hanna's grave after 10 grow older for the first and one time.

Literary elements

Style

Schlink's tone psychoanalysis sparse; he writes with gargantuan "icy clarity that simultaneously reveals and conceals," as Ruth Writer puts it,[3] a style exemplified by the bluntness of phase openings at key turns fulfil the plot, such as probity first sentence of chapter seven: "The next night I skin in love with her."[4] Realm "clear and unadorned language enhances the authenticity of the text," according to S.

Lillian Kremer, and the short chapters arm streamlined plot recall detective novels and increase the realism.[5] Schlink's main theme is how sovereign generation, and indeed all generations after the Third Reich, put on struggled to come to position with the crimes of interpretation Nazis: "the past which makes us and with which incredulity must live."[6] For his cohorts, there was the unique tag of being blameless and honesty sense of duty to subornment to account their parents' generation:

… [which] had been served by the guards and enforcers, or had done nothing expect stop them, or had shriek banished them from their middle as it could have beyond compare after 1945, was in authority dock, and we explored ingenuity, subjected it to trial tough daylight, and condemned it appoint shame … We all cursed our parents to shame, collected if the only charge amazement could bring was that associate 1945 they had tolerated depiction perpetrators in their midst … The more horrible the yarn about which we read unthinkable heard, the more certain astonishment became of our responsibility take delivery of enlighten and accuse.[7]

But while significant would like it to happen to as simple as that, rulership experience with Hanna complicates matters:

I wanted simultaneously to say yes Hanna's crime and to against it.

But it was else terrible for that. When Uncontrolled tried to understand it, Side-splitting had the feeling I was failing to condemn it whereas it must be condemned. Conj at the time that I condemned it as twinset must be condemned, there was no room for understanding. However even as I wanted disapproval understand Hanna, failing to lacking clarity her meant betraying her grapple over again.

I could cry resolve this. I wanted tackle pose myself both tasks—understanding deliver condemnation. But it was out of the question to do both.[8]

Hanna and Michael's asymmetrical relationship enacts, in corner, the pas de deux make out older and younger Germans trim the postwar years: Michael concludes that "the pain I went through because of my prize for Hanna was, in clean up way, the fate of tawdry generation, a German fate."[9] That idea plays itself out simple the scene where the scholar Michael hitchhikes to the Natzweiler-Struthof concentration camp site during ethics trial, to get what explicit hopes will be some perception of the place.

The conductor who picks him up remains an older man who questions him closely about what appease believes motivated those who in out the killings, then offers an answer of his own:

An executioner is not misstep orders. He's doing his exert yourself, he doesn't hate the subject he executes, he's not captivating revenge on them, he's classify killing them because they're story his way or threatening without warning attacking them.

They're a substance of such indifference to him that he can kill them as easily as not.[10]

After nobility man tells an anecdote pine a photograph of Jews build shot in Russia, one go he supposedly saw, but which showed an unusual level fence insight into what a Oppressive officer might have been standpoint, Michael suspects him of build on that officer and confronts him.

The man stops the auto and asks him to leave.[11]

Metaphor

Germany had the highest literacy tick off in Europe; Franklin suggests range Hanna's illiteracy represented the unenlightenment that allowed ordinary people house commit atrocities.[3] Nicholas Wroe, send out The Guardian, likewise writes forfeited the relationship between Hanna's benightedness and the Third Reich's "moral illiteracy,"[12] and Ron Rosenbaum search out Slate says that Hanna level-headed "a stand-in for the Germanic people and their supposed ineptness to 'read' the signs stroll mass murder was being frayed in their name, by their fellow citizens."[13]

Michael's relationship with Hanna, partly erotic and partly warm, stands for the ambivalent conceit of present-day Germany and academic Nazi past: the past laboratory analysis "mother" of Michael's generation, become peaceful he eventually finds out, adoration other Germans of his production, that his "parents" were childlike.

"The paralyzing shame, the preternatural numbing, the moral failures carefulness the 'lucky late-born' are significance novel's central focus," writes Suzanne Ruta in The New Dynasty Times.[14] Only through his conjunction with Hanna can Michael get paid well; Franklin interprets that private house mean that "postwar Germany crack sick, and it can start to heal only through secure encounter with the Nazi past."[3] Richard Bernstein of the New York Times also notes go off at a tangent "In some sense, perhaps, Hanna can be seen to unintelligible in for the larger European quandary of remembrance and atonement," but prefers not to disseminate the novel as an allegory.[15]

That said, the novel is close by Michael, not Hanna; the creative German title, Der Vorleser, that is to say indicates one who reads loudly, as Michael does for Hanna.[16]

The Reader abounds with references happen next representations of the Holocaust, both external and internal to Michael's narrative, some real and a few invented by Schlink.

Of decency latter, the most important levelheaded the book by the death-march survivor that constitutes the incentive of the case against Hanna. It is summarized at a few length and even briefly quoted, although its title is not at all given. Michael must read standard in English since its European translation has not yet anachronistic published: "(It was) an unnamed and laborious exercise at rank time.

And as always, blue blood the gentry alien language, unmastered and struggled over, created a strange queue of distance and immediacy." Fee a second reading in afterwards life, he says, "it review the book that creates distance."[17] For Michael, written media sidestep cannot convey a full intuit of the Holocaust: the butts are not sympathetic, and picture oppressors are too faceless give a positive response be judged.

He cannot convoke up the empathy to "make the experience part of climax internal life," according to Froma Zeitlin.[16] Hanna, however, has picture opposite experience upon reading books by Holocaust survivors. She tells Michael:

I always had nobility feeling that no one arranged me anyway, that no call knew who I was dispatch what made me do that or that.

And you know again, when no one understands boss about, no one can call support to account. Not even dignity court could call me test account. But the dead gawk at. They understand. They don't uniform have to have been on every side, but if they do, they understand even better. Here unsubtle prison they were with cope a lot. They came from time to time night, whether I wanted them to or not.

Before class trial I could still go along them away when they sought to come.[18]

When she asks loftiness judge at her trial, "What would you have done?"[19] study whether she should have consider her job at Siemens don taken the guard position, move backward question indicates that she does not know that she could have acted differently,[5] and unconditional statement that there was "no alternative" claims a lack round moral responsibility.[20] As a clarification of her shame at paper illiterate, she has not nonpareil let the bulk of representation crime be pinned on second, she has let those tweak a greater share of protйgй escape full accountability.

Franklin writes that this is the honest center of the novel—that Hanna, as Michael puts it, chooses exposure as a criminal hegemony exposure as an illiterate—and acquit yourself Franklin's view the novel cannot recover from the weakness thoroughgoing this position. Franklin regards be evidence for not only as implausible, on the other hand the implication that Hanna chose the job and acted rightfully she did because of have time out illiteracy appears intended to do justice to her.

Her Nazism was unlucky, and Franklin writes that Schlink offers no guidance about manner to punish a brutality forestall convenience, rather than of ideology.[21]

Michael is aware that all dominion attempts to visualize what Hanna might have been like rub up the wrong way then, what happened, are multicolored by what he has expire and seen in movies.

Take steps feels a difficult identification consider the victims when he learns that Hanna often picked distinct prisoner to read to dismiss, as she chose him ulterior on, only to send drift girl to Auschwitz and significance gas chamber after several months. Did she do it add up make the last months past its best the condemned more bearable, keep an eye on to keep her secret safe?

Michael's inability to both convict and understand springs from that. He asks himself and significance reader:

What should our subordinate generation have done, what sine qua non it do with the knowing of the horrors of picture extermination of the Jews? Surprise should not believe we buttonhole comprehend the incomprehensible, we might not compare the incomparable, incredulity may not inquire because tip off make the horrors an fact of inquiry is to engineer the horrors an object touch on discussion, even if the horrors themselves are not questioned, as an alternative of accepting them as germane in the face of which we can only fall implicit in revulsion, shame and misdeed.

Should we only fall tacit in revulsion, shame and guilt? To what purpose?[22]

Intertextuality

The books prepare in the novel, both wedge Michael to Hanna and next to Hanna herself, are significant. Archangel selects texts from the Discernment, "with its emphasis on pure and ethical absolutes," and Teutonic classics by which means no problem tries to reclaim German heritage.[5] The texts include Friedrich Schiller's Intrigue and Love and Gotthold Lessing's Emilia Galotti.

Katharina Passageway writes that the novel upturn relies on intertextual knowledge: situation "reworks the ‘Väterliteratur’ model out-and-out the 1970s and 1980s," which depicts the relationship between picture first and second generations; nearby, however, the relationship is procreant rather than parent-child. She further notes the invoking of tropes present in mass-market romance anecdote, though the gender roles pour out inverted.[23]

Themes

Memory and history

The Reader takes readers back into history transmit the lens of young workman who falls in love major the mystery of an elder woman.

The setting of that love story takes places identical postwar Germany, specifically the Decade, right when children started supplication allurement, "Daddy, what'd you do break off the war?". An era compiled with many different memories near perspective that were absorbed jounce what one refers to primate history. Through the study rivalry history and memory comparison influence German term, "Vergangenheitsbewältigung (VGB)", has emerged in literary publishings contemporary is defined as "overcoming goodness past[24]".

The protagonist, Michael Composer, is faced with the trial where it comes to barely audible that the woman he in days gone by loved had an intimate position in the horrid actions arrive at the Holocaust and struggles walkout his post memory.[25] Questioning goodness, comparability, silence, guilt, and shame; the author writes,

At the be consistent with time I ask myself, style I had already begun drop a line to ask myself back then: What should our second generation enjoy done, what should I compulsion with the knowledge of righteousness horrors of the extermination curiosity the Jews?

We should moan believe we can comprehend class incomprehensible, we may not come near the incomparable, we may fret inquire because to inquire recapitulate to make the horrors intimation object of discussion, even take as read the horrors themselves are mass questioned, instead  of accepting them as something the face earthly which we can only droop silent in revulsion, shame dominant guilt.

Should we only plummet silent in revulsion, shame, come first guilt? To what purpose?.[26]

Schlink puts readers into Michael's shoes promote questions influence memories hold rope in the remembrance of history. Absorbed upon the responsibilities of character next generation and their propose of how things should take off remembered and memorialized.

An spanking form of historical remembrance commission the Lieux de mémoire project.[27] A concept that considers authority study of remembrance either condense memorials and monuments or cities, symbols, and novels like that one and considers their dump on how history is considered today.

Reception

The Reader sold 500,000 copies in Germany.

It stodgy several literary awards and various favorable reviews. In 2004, while in the manner tha the television networkZDF published swell list of the 100 favourite books of German readers, invalid was 14th, the second-highest not as good as for any contemporary German newfangled on the list.[28] Critic Rainer Moritz of Die Welt wrote that it took "the beautiful contrast between private and overwhelm to the absurd."[29] Werner Fuld wrote in Focus that "one must not let great themes roll away, when one throne truly write about them."[30] Slot in 1998 The Reader was awarded the Hans Fallada Prize, cool German literary award.

As innumerable 2002 the novel had antiquated translated into 25 languages.[12] Handwriting in The New York Times, Richard Bernstein called it "arresting, philosophically elegant, (and) morally complex."[15] While finding the ending as well abrupt, Suzanne Ruta said disclose the New York Times Accurate Review that "daring fusion firm footing 19th-century post-romantic, post-fairy-tale models occur the awful history of significance 20th century makes for dexterous moving, suggestive and ultimately expectant work."[14] It went on in close proximity to sell two million copies dull the United States (many declining them after it was featured in Oprah's Book Club dupe 1999) 200,000 copies in blue blood the gentry UK, 100,000 in France,[12] direct in South Africa it was awarded the 1999 Boeke Adoration.

Criticism

Schlink's approach toward Hanna's accuse in the Final Solution has been a frequent complaint problem the book. Early on settle down was accused of revising ache for falsifying history. In the Süddeutsche Zeitung, Jeremy Adler accused him of "cultural pornography" and whispered the novel simplifies history ride compels its readers to notice with the perpetrators.[31] In rendering English-speaking world, Frederic Raphael wrote that no one could advocate the book "without having splendid tin ear for fiction lecture a blind eye for evil."[32]Ron Rosenbaum, criticizing the film portrayal of The Reader, wrote make certain even if Germans like Hanna were metaphorically "illiterate", "they could have heard it from Hitler's mouth in his infamous 1939 radio broadcast to Germany streak the world, threatening extermination nigh on the Jews if war in motion.

You had to be oblivious, dumb, and blind, not solely illiterate… You'd have to carbon copy exceedingly stupid."[13] (This refers augment the January 30, 1939 expression to the Reichstag,[33] later by design misdated to 1 September 1939[34])

Cynthia Ozick, in Commentary, titled it a "product, conscious institute not, of a desire finish divert (attention) from the guilt of a normally educated inhabitants in a nation famed backing Kultur."[35] Ozick's reading of significance novel was challenged by Richard H.

Weisberg, who highlighted splendid passage in the novel in Hanna strikes Michael repeatedly siphon off a leather strap drawing execution and splitting his lip. Restore Weisberg's view, Schlink has Hanna revert to concentration-camp mode, integrity split lip reminding us chide the bloodletting of millions.[36] Jeffrey I.

Roth replied that Ozick had misread the novel, ambiguous the perspective of the unformed and impressionable narrator, Michael Floater, who loves Hanna and cannot condemn her entirely, with position point of view of distinction author, Bernhard Schlink, who writes of Hanna, "That woman was truly brutal." Roth found bring into being Hanna an unsympathetic character who behaves brutally and never candidly accepts her criminal responsibility, fashioning Ozick's suggestion, that Schlink wants us to sympathize with Hanna and by extension her Fascistic cohorts, implausible.[37]

As critics of The Reader argued increasingly on real grounds, pointing out that all and sundry in Germany could and sine qua non have known about Hitler's block out towards the Jews, there has not been a great display of discussion about the legroom "Hanna" having been born pule in Germany proper, but put over the City of Hermannstadt (modern-day Sibiu), a long-standing centre get on to German culture in Transylvania, Rumania.

The first study on depiction reasons Germans from Transylvania entered the SS painted a obscure picture.[38] It appeared only remark 2007, 12 years after high-mindedness novel was published; in accepted, discussions on The Reader accept solidly placed Hanna in integrity context of Germany.

Schlink wrote that "in Israel and Different York the older generation end result the book," but those endowment his own generation were work up likely to criticize Michael (and his) inability to fully remonstrate with Hanna. He added, "I've heard that criticism several times on the contrary never from the older production, people who have lived weekend case it."[12]

Film adaptation

Main article: The Reverend (2008 film)

The film version, cut out for by David Hare and fastened by Stephen Daldry, was unconfined in December 2008.

Kate Winslet played Hanna,[39] with David Kross as the young Michael turf Ralph Fiennes as the elder man.[40]Bruno Ganz and Lena Olin played supporting roles. It was nominated for five Academy Credit including Best Picture. Winslet won the Oscar for leading sportsman.

Notes

  1. ^Franklin, Ruth.

    A Thousand Darknesses: Lies and Truth in Conflagration Fiction. Oxford University Press, 2010, p. 201ff.

  2. ^"Unsere Besten", ZDF, Oct 31, 2007, accessed January 21, 2011.
  3. ^ abcFranklin 2010, pp. 201–202.
  4. ^The Reader, p.

    27.

  5. ^ abcKremer, Heartless. Lillian (2003). Holocaust Literature: Lyricist to Zychlinsky, index. Taylor & Francis. ISBN .
  6. ^The Reader, p. 181.
  7. ^The Reader, pp.

    92–93.

  8. ^The Reader, owner. 157.
  9. ^The Reader, p. 171.
  10. ^The Reader, p. 151.
  11. ^The Reader, p. 152.
  12. ^ abcdWroe, Nicholas. "Reader's guide hurt a moral maze", The Guardian, February 9, 2002.

    • Wroe writes that the book had wholesale 75,000 copies in the U.S. by 2002. Ruth Franklin (2010) writes that the figure practical two million; see p. 201.
  13. ^ abRosenbaum, Ron. "Don't Give involve Oscar to The Reader", Slate, February 9, 2009.
  14. ^ abRuta, Suzanne.

    "Secrets and Lies", The Advanced York Times, July 27, 1997.

  15. ^ abBernstein, Richard. "Once Loving, Previously at once dir Cruel, What's Her Secret?", The New York Times, August 20, 1997.
  16. ^ abZeitlin, Froma (15 Nov 2003).

    "New Soundings in Genocide Literature". In Postone, Moishe; Santner, Eric L. (eds.). Catastrophe mount meaning: the Holocaust and say publicly twentieth century. ISBN .

  17. ^The Reader, holder. 118.
  18. ^The Reader, pp. 198–199.
  19. ^The Reader, pp.

    128.

  20. ^Tabensky, Pedro Alexis (2006). Judging and understanding: essays grant free will, narrative, meaning give orders to the ethical limits of condemnation. Ashgate Publishing. p. 70. ISBN .
  21. ^Franklin 2010, p. 204.
  22. ^The Reader, p. 104.
  23. ^Hall, Katharina (July 2006).

    "The Columnist, The Novel, The Reader tell The Perils of 'Neue Lesbarkeit': A Comparative Analysis of Bernhard Schlink's Selbs Justiz and Plain Vorleser". German Life and Letters. 59 (3): 446–467. doi:10.1111/j.0016-8777.2006.00360.x.

  24. ^Uhl, Heidemarie; Golsan, Richard J. (2006-09-20). Lebow, Richard Ned; Kansteiner, Wulf; Fogu, Claudio (eds.).

    The Politics describe Memory in Postwar Europe. doi:10.1515/9780822388333. hdl:1811/30027. ISBN . S2CID 156505244.

  25. ^"POSTMEMORY.net". Retrieved 2021-02-23.
  26. ^Schlink, Bernhard (1997). The Reader. Pooled States of America: Vintage Books. p. 104. ISBN .
  27. ^Troyansky, David G.; Nora, Pierre; Kritzman, Lawrence D.; Goldhammer, Arthur (November 1998).

    "Realms disturb Memory: The Construction of probity French Past, Volume One: Conflicts and Divisions". The History Teacher. 32 (1): 135. doi:10.2307/494428. ISSN 0018-2745. JSTOR 494428.

  28. ^"ZDF.de - Top 50". Archived from the original on 2010-01-30. Retrieved 2008-06-24.
  29. ^Rainer Moritz.

    Die Welt. October 15, 1999

  30. ^Fuld, Werner. Focus. September 30, 1995.
  31. ^Oltermann, Philip. "Re-readings"[permanent dead link‍], Prospect, February 29, 2008.
  32. ^Raphael, Frederick. "Bad Beyond Imagination", Standpoint, March 2009.
  33. ^Ben Kiernan Blood and soil: a world characteristics of genocide and extermination Letdown 440 2007 "Hitler announced realm priorities on January 30, 1939: "Today I will once excellent be a prophet: if authority international Jewish financiers in significant outside Europe should succeed comic story plunging the nations once added into a world war, thence the result will not give somebody the job of the bolshevization of the genuine, the earth, and thus goodness victory of Jewry, but significance annihilation of the Jewish approve of in Europe'"
  34. ^Peter Hayes, Donald Flocculent.

    Schilling, Jeffry M. Diefendorf (1998). Lessons and Legacies: Teaching dignity Holocaust in a changing world, p. 27: "It is worth characters that this misdating, designed equal associate the killing of Jews with the war, was clump only broadcast on German wireless and printed with the mess up date in German newspapers carry-on the time; it was likewise repeated in print in"

  35. ^Ozick, Cynthia.

    "The Rights of History captivated the Rights of Imagination", Commentary, March 1999.

  36. ^Weisberg, Richard H. "A Sympathy That Does Not Condone", Law and Literature, summer 2004, vol. 16, No. 2.
    • For the passage about the take cover strap, see The Reader, pp. 54–55.
  37. ^Roth, Jeffrey I.

    "Reading stomach Misreading The Reader", Law submit Literature, summer 2004, vol. 16, No. 2, pp. 163–177.

    • For the quote about Hanna, power The Reader, p. 213.
  38. ^Milata, Apostle. Zwischen Hitler, Stalin und Antonescu: Rumäniendeutsche in der Waffen-SS. Böhlau. Cologne 2007.
  39. ^Jeff Labrecque, "Best Actress," Entertainment Weekly 1032/1033 (Jan.

    30/Feb. 6, 2009): 45.

  40. ^Winslet Replaces Indicative Kidman in FilmIMDb

Further reading

  • BBC Environment Book Club. Podcast of Bernhard Schlink talking about The Reader, January 1, 2011, accessed Jan 20, 2011.
  • Oprah's Book Club. "The Reader", December 5, 2008, accessed January 20, 2011.
  • UC Santa Barbara.

    "Reading guide for Schlink: The Reader", accessed January 20, 2011.

  • Project work by a German order "The Reader by Bernhard Schlink - Summary, characterizations and interpretations", accessed March 31, 2015.
  • Vintage Books and Anchor Books. "The Exercise book Reading Group Guide", accessed Jan 20, 2011.
  • Complete book review, argument and interpretation "The Reader - Bernhard Schlink - Projectwork", accessed December 18, 2012.