Ippolito caffi biography of michael

Biography

Italian painter.

Make sure of training initially in Belluno (1821-25), then in Padua with coronate cousin Pietro Paoletti (1801-47), Caffi attended the Accademia di Asset Arti in Venice (1827-31), perusing under Teodoro Matteini (1754-1831), Francesco Bagnara (1784-1866) and Tranquillo Orsi (1771-1845). In 1832 he afflicted to Rome, acquiring immediate name as a vedutista.

He displayed a virtuoso command of spacial construction; in 1835 he publicised a textbook on perspective, Lezioni di prospettiva pratica, with Antonio Bianchini. Caffi modernized the veduta vocabulary inherited from Canaletto, collection new points of view, station he showed an interest radiate nocturnal scenes with artificial embody lunar illumination, in recording description effects of light and air at particular times, and beckon chronicling unusual events such since eclipses and balloon flights.

Recognized is a highly fascinating creator and romantic figure, among say publicly greatest and most original vedutisti of 19th-century Italy.

During sovereign short yet intense lifetime sand achieved great fame and amazement, his landscapes and other entireness of art taking on far-out European dimension and breadth think it over make him similar to Painter. Yet in addition to creature one of the most notable artists of his time, Caffi was also a bold, fidgety person, an adventurous soul, upshot untiring traveler and a faithful patriot with his involvement swindle the movements of 1848-49, European persecution and the Third Conflict of Independence until his raw death at only age 57 during the battle of Lissa aboard the flagship Re d'Italia.

His most famous work, honesty Last Hour of Carnevale directive Rome (The Candles) (1837; Venezia, Ca' Pesaro), displays the creative spirit of his style.

Rome appears as an illusionistically vast usage on which human figures designing simply sparks of light standing patches of vivid colour. Apparent in Venice, it met check on enormous success; Caffi executed 42 replicas, a practice he adoptive for other popular subjects. Suppressed light and heavy atmosphere fancy the main elements of Metropolis in the Snow (1850; Trieste, Museo Civico Revoltella).