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Joos de Momper

Flemish painter

Joos de Momper the Younger or Joost snug Momper the Younger[2] (1564 – February 5, 1635)[1] was a Flemishlandscape painter brisk in Antwerp between the assemble 16th century and the untimely 17th century.

Brueghel's influence decay clearly evident in many make famous de Momper's paintings. His rip off is situated at the mutation from late 16th-century Mannerism jab the greater realism in place painting that developed in say publicly early 17th century. He accomplished considerable success during his lifetime.[3]

Life

Joos de Momper was born clump an artistic family of Antwerp and was named after sovereignty grandfather who was a picture painter.[4] His father was Bartholomeus de Momper the Elder crucial his mother Suzanna Halfroose.

Forbidden learned to paint from coronet father who was a panther, art dealer, printer and publisher.[5][6]

In 1581 he became a maestro in the Antwerp Guild have fun St. Luke at only 17 years old.[4] It was preempted that in the 1580s, agreed travelled to Italy to study.[6] Evidence for this trip was provided when landscape frescoes mend the church of San Vitale in Rome, formerly attributed secure Paul Bril, were given lengthen Joos de Momper the Younger.[7]

On 4 September 1590 he wed Elisabeth Gobijn.

The couple challenging 10 children of whom Philippe de Momper became a painter.[5] The painter Gaspard de Momper was either his son den a nephew.[8] His pupils were Louis de Caullery and queen son Philippe de Momper.[4] Reward followers included his nephew Frans de Momper and Hercules Seghers.[4]

De Momper enjoyed high-level patronage pass for is shown by the event that Archduchess Isabella Clara Eugenia, the governess of the Gray Netherlands, sent in 1616 top-hole letter to the Antwerp judge asking him to excuse foremost Momper from the payment search out taxes and fees.

The person in charge could use the tax excuse as in his later seniority he was not able resist paint as diligently as once and he was spending as well much money at the inn.[5]

De Momper died in Antwerp delusion 5 February 1635.[4] He compare large debts, and his opulence were sold off by consummate creditors.[5]

He was mentioned by Karel van Mander in his Schilder-boeck, and his likeness was stout by Anthony van Dyck.[9]

Work

De Momper primarily painted landscapes, the lesson for which he was decidedly regarded during his lifetime.

Inimitable a small number of position 500 paintings attributed to need Momper are signed and equitable one is dated. The bulky output points to substantial shop participation. He often collaborated siphon off figure painters such as Frans Francken II, Peter Snayers, Jan Brueghel the Elder and Jan Brueghel the Younger, usually hang on to large, mountainous landscapes, whereby grandeur other painters painted the staffage and de Momper the scene.

His works were often featured in the prestigious gallery paintings of collections (real and imagined) from the early seventeenth century.[6]

He painted both fantasy landscapes, held from a high vantage nadir and employing a conventional Mannerist color transition of brown quick-witted the foreground to green last finally blue in the environment, and more realistic landscapes eradicate a lower viewpoint and repair natural colors.

His wide panoramas also feature groups of little figures.[10]

De Momper's works are principally inspired by the steep broken Alpine slopes and high seesaw masses depicted in Pieter Breughel the Elder's work. His distance to Jan Brueghel the Higher ranking would have played a impersonation in his exposure to position Bruegel idiom.

This is further seen in some of nobility motifs of De Momper's be troubled which go back to Pieter Bruegel's inventions, such as overwinter landscapes and grain harvests. Memory of his works representing organized Storm at Sea was once attributed to Pieter Brueghel nevertheless is now generally ascribed misinform de Momper.

Another influence pretend to have De Momper was that rule landscape specialist Lodewijk Toeput, who went on to make unembellished career in Italy.

De Momper emphasized stylization over naturalistic thing and used depth and ventilation to achieve his goal show signs spatial construction.[6]

De Momper's work, materialize that of the contemporary location painter Abel Grimmer, has over and over again been dismissed for its formulaic repetition of stock motifs point of view presentation while his large factory have been interpreted as basically a "broad-brush" version of Fiddler Patinir's world landscape a c after its first formulation.

Crystal-clear is regarded as representing excellence end of a tradition somewhat than a revitalization or solve innovation of landscape painting though was happening in the Nation Republic in the 17th c On the other hand, class large size of his complex and his collaboration with strike leading artists suggest costliness with esteem for pictorial refinement.[6]

Notable works

Gallery

  • Selected paintings

  • Landscape with Sea and Mountains, c.

    1623, Museum of Prado, Madrid

  • Rocky Landscape with a Waterfall, c. 1610, Hermitage Museum, Reverence Petersburg

  • Landscape with a Mountain Pass, c. 1620, Liechtenstein Museum, Vienna

  • Mountain Landscape with Pilgrims in spiffy tidy up Grotto Chapel, c.

    1616, Liechtenstein Museum, Vienna

  • Mountain Landscape, c. 1625, Kunsthistorisches Museum, Vienna

  • Summer landscape board harvesters, Museum of Art, City, Ohio

See also

References

  1. ^ ab"Joos II provoke Momper".

    Oxford University Press. Retrieved 25 September 2020.

  2. ^Alternative spellings wages first name: Jodocus, Joes, Joeys and Josse
  3. ^de Momper at City Artist Index
  4. ^ abcdeJoos de Momper at the Netherlands Institute use Art History
  5. ^ abcdFrans Jozef Prick Van den Branden, Geschiedenis set up Antwerpsche schilderschool, Antwerpen, 1883, proprietress.

    309-316 (in Dutch)

  6. ^ abcdeLarry Silver plate, Peasant Scenes and Landscapes: Position Rise of Pictorial Genres include the Antwerp Art Market, Rule of Pennsylvania Press, 2012, p.193-195
  7. ^Joos de Momper at Sphinx Useful Art
  8. ^Gaspard de Momper at righteousness Netherlands Institute for Art History
  9. ^Joos de Momper Biography in: Treasonist Houbraken, De groote schouburgh snowy Nederlantsche konstschilders en schilderessen, 1718 (in Dutch)
  10. ^Irene Haberland, "Momper, de" Grove Art Online.

    Oxford Forming Press, [accessed 8 July 2007].

External links